The publication in English of The Man Who Loved Dogs by the Cuban author, Leonardo Padura is a major literary and political event. I read this remarkable novel when it came out in Spanish and it made a profound impression on me. I had intended to write a review then, but was prevented from doing it by a combination of circumstances. With the greatest pleasure I will now rectify this omission.

The ideas of Marx have never been more relevant than they are today. This is reflected in the thirst for Marxist theory at the present time. In this article, Alan Woods deals with the main ideas of Karl Marx and their relevance to the crisis we're passing through today.

“The question whether objective truth can be attributed to human thinking is not a question of theory but is a practical question. Man must prove the truth — i.e. the reality and power, the this-sidedness of his thinking in practice. The dispute over the reality or non-reality of thinking that is isolated from practice is a purely scholastic question”. (Marx, Second Thesis on Feuerbach.)

News of the death of Eric Hobsbawm on 1^st October was marked by an unprecedented outburst of flattery and adulation in the bourgeois media. For the past few weeks, the flood of obsequious obituaries exceeded all bounds. He was described variously as “the most widely read, influential and respected British intellectual and historian from the Marxist tradition”; “Britain's most distinguished Marxist historian”, and even “one of the leading historians of the 20th century”.

On 31 July Gore Vidal died at his home in Los Angeles from complications arising from pneumonia. He was 86 and had been ill for some time. As I was away on holiday at the time, I did not find out about this till later. The comrades in charge of Marxist.com decided to republish an article I had written in July 2002 with the title The decline and fall of the American empire, based on a television interview with the American writer.

Twenty years ago the powerful repressive Stalinist police states fell one after another under the pressure of mass upsurges. The collapse of Stalinism was a dramatic event and a turning point in world history. But in retrospect it will be seen as only the prelude to something even more dramatic: the death agony of world capitalism.

The present period is the most stormy and convulsive period in history. Globalization now manifests itself as a global crisis of capitalism. Given the depth of the crisis and the worsening conditions, things are developing very quickly. The stage is set for a general revival of the class struggle, and in fact, this process has already begun.

Exactly twelve months ago, in an article entitled: 2011: - Optimism or pessimism?I wrote the following: “The first effect of the crisis was one of shock, not only for the bourgeois but also for the workers. There was a tendency to cling to jobs and accept cuts in the short term, especially as the union leaders offer no alternative. But this will be replaced by a general mood of anger and bitterness, which will sooner or later begin to affect the mass organisations of the working class.”

The crisis of capitalism is accompanied by a crisis of bourgeois thought: philosophy, economics, morality – all are in a state of ferment. In place of the earlier optimism that stated confidently that capitalism had solved all its problems, there is an all-pervading mood of gloom. Not so long ago, Gordon Brown confidently proclaimed “the end of boom and bust”. After the crash of 2008 he was forced to eat his words.

Alan Woods in his new introduction the UK edition of the “Four Marxist Classics” (The Communist Manifesto, Socialism: Utopian and Scientific, The State and Revolution, and The Transitional Program in a single volume) looks at the stage the class struggle is passing through internationally, from Greece to Spain, from Egypt to Wisconsin. He stresses that, “In order to succeed it is necessary to take the movement to a higher level. This can only be done by linking it firmly to the movement of the workers in the factories and the trade unions.” The book will soon be available in the UK.

The year 2011 began with the customary toasts to health, happiness and success. As the bourgeois clinked their champagne glasses, it seemed as if their dreams were coming true. The collapse of financial markets that threatened to destroy the economic recovery in 2010 had failed to materialise. Global output has probably risen by almost 5%, a lot faster than forecasters were expecting 12 months ago.

Capitalism is in its deepest crisis in its history. It is an economic, social and political crisis, which is now expressing itself in political turmoil and growing class struggle across the globe. While the ruling class attempts to bury Marxism, it has in fact never been so relevant as it is today. In this updated article Alan Woods explains the essence of Marxism and its role today.

The discussions on World Perspectives are the foundations from which everything else flows in terms of the perspectives and work in each country, our priorities, tasks, etc. The instability on a world scale has only deepened since the World Perspectives document was drafted, in the autumn of 2009. But the main lines of the perspectives have been entirely confirmed by the march of events. The following is a summary of the main points in the lead-off given by Alan Woods at the 2010 World Congress on the basis of notes taken by delegates.

After talk of the so called "credit crunch" gave way to optimistic comments about the "green shoots" in the economy, events in Greece caught the bourgeois commentators unaware. Now the world economy has once again been plunged into chaos and uncertainty as the governments of Europe try to contain the fall-out from the near-default of Greece and it is the workers who will be presented with the bill.

Alan Woods, of the International Marxist Tendency, speaks to University of Arts' London students at the Whitechapel Gallery, London, where a replica of Picasso's great painting of the massacre at Guernica is on display. Using this powerful masterpiece as a starting point, Alan explores what makes great art; to what extent is great art a reflection of the period from which it comes; and can propaganda be great art?