The connection between Italian Futurism and fascism is well known. Alan Woods looks at the psychology of the Italian bourgeois and petit bourgeois intellectuals in the period before and during the First World War that gave rise to this singular phenomenon. It is an object lesson on how art and politics can become inextricably linked, and how this mixture arises from a definite social and class basis.
This is the first of a series of articles on the history of the British Labour Party. These articles will help workers and youth to get a greater understanding of what the Labour Party is and what the attitude of Marxists to it should be. In this article we look at how the Party emerged from the struggles of the working class towards the end of the 19th and at the beginning of the 20th centuries.
According to director Michael Moore, the film Bowling for Columbine paints a portrait of the United States, “a nation that seems hell-bent on killing first and asking questions later” at the beginning of the 21st century. Appealing to the likes of us, we thought, and this proved to be no false expectation. Apart from a film that grabs the spectator by the scruff of the neck, at times being tragic by the bare facts alone, Bowling for Columbine is above all a very humorous and enjoyable documentary about the American weapons industry, but also about the latter’s link with US foreign policy.
