El Lissitzky’s iconic Civil War poster ‘Beat the Whites With the Red Wedge’ is perhaps the single most recognisable piece of artwork to emerge from the entire Russian Revolution. Its influence is widespread even today. In this article, Nelson Wan and James Kilby explore how The Red Wedge came into being, how it captures the essence of revolution, and how a work of propaganda such as this can be considered great art.

On Monday 21 April, Pope Francis passed away at the age of 88. During his time at the Holy See, he had been charged with laundering the image of the Church, with giving it a ‘human face’, and stemming the crisis of that institution. Whatever else one thinks of him, he certainly executed his role with skill, but the job was itself impossible. The crisis of the Church continued apace and it will accelerate after his death.

The recent death of Pope Francis has dominated politics and the media in Italy this week. Amidst the unending chorus of Francis’ sycophants, however, the reformist left have been keen to make their voices heard, celebrating the life of this supposedly ‘revolutionary’, ‘anti-capitalist’ figure. We publish below a translation of an article by the Partito Comunista Rivoluzionario – the Italian section of the Revolutionary Communist International – explaining the truth about Pope Francis and clearly stating the communist position on the reactionary institution of the Catholic Church.

As the world becomes a more dangerous place, it seems we are once again being asked by our governments to love the bomb.