Don’t Look Up: when a movie has an impact, there’s a reason Within the first two weeks of its release on Netflix, Don’t Look Up racked up over 300 million streaming hours to become the second-most viewed movie in the history of the platform. This satirical allegory on the climate crisis is undoubtedly one of the most controversial movies as well, eliciting strong opinions, lively debate, and nearly equal parts positive and negative reviews on film rating websites like Rotten Tomatoes.
Review: ‘Don’t Look Up’ – don’t leave it to the liberals to save us Adam McKay’s satirical film Don’t Look Up (available on Netflix) is one of the most divisive films of the year just gone – provoking anger amongst the reactionary right and so-called ‘progressive’ liberals alike.
Alan Woods’ new year’s message 2022: I saw it in the movies At the dawn of 2022, the cries of “Happy New Year” have an empty ring for most people, because most people are not happy at all. In the past, in troubled times, they looked for consolation in religion. But nowadays, the churches stand empty. Instead, people have tended to take refuge in their local pub, or perhaps in the cinema, which have become something like a modern opium of the people. But given that many of these are closed, many have nowhere else to seek comfort than in their television set.
Squid Game: no winners under capitalism Squid Game is the latest production from South Korea that brilliantly exposes the brutal reality of capitalism – that of extreme competition. As the series tops the Netflix charts worldwide, Korean workers are preparing for a general strike.
Santiago Rising: a film by Nick MacWilliam – a burst of anger and hope Santiago Rising, the new Alborada Films documentary by Nick MacWilliam, is a powerful portrayal of the insurrectionary uprising that shocked Chile at the end of 2019, Diego Catalán writes.On 13 February, the Marxist Student Federation will host a screening of Santiago Rising followed by a Q&A session with the director, Nick MacWilliam, and Carlos Cerpa (from the IMT Chile-Octubre).
Beethoven: man, composer and revolutionary Though there's some controversy over the exact date, it's believed that Ludwig van Beethoven was born today in 1770. If any composer deserves to be called a revolutionary, it is Beethoven. He carried through what was probably the greatest single revolution in modern music and changed the way music was composed and listened to. This is music that does not calm, but shocks and disturbs. Writing in 2006, Alan Woods describes how the world into which Beethoven was born was a world in turmoil, a world in transition, a world of wars, revolution and counter-revolution: a world like our own world.
Iran: Theatre of Independence – Manifesto We have recieved this document from a theatrical group based in Iran. We republish it for the interest of our readers.
Snowpiercer: Class struggle and revolution...on a train Netflix recently released a TV adaptation of Bong Joon-ho’s dystopian action thriller Snowpiercer, which offers a powerful allegory about the struggles of class society. Steve Jones looks back at the original film.
Iranian interview with Alan Woods on politics and art! We publish the following interview with Alan Woods (editor of marxist.com), conducted by the Exit Theatre Group in Iran. Over the course of a long discussion, Alan talks about the role of culture and the arts in society, politics and revolution.
Hieronymus Bosch and the art of the death agony of feudalism Hieronymus Bosch was one of the most remarkable and original painters of all time. His works were painted five hundred years ago, yet they seem astonishingly modern, anticipating surrealism. This is the art of a world in a state of turbulence, torn by contradictory tendencies – a world in which the light of reason has been extinguished and where animal passions have gained the upper hand. A world of terror, violence and plague: a living nightmare. In short – a world very like our own, particularly given the current pandemic. Alan Woods examines Hieronymus Bosch from the standpoint of historical materialism. Originally published 23 December 2010.
Beethoven article by Alan Woods: now in Kurdish! We are delighted to announce that Alan Woods' article, 'Beethoven: man, composer and revolutionary' has been published in Kurdish as a pamphlet by a literary and artistic organisation named "Nova Group".
“Long live the People!” – omen of the Moroccan revolution Suddenly, and without any warning, a rap song appeared on social media, produced by three young men – who were unheard of up to that moment – and racked up millions of views in record time. The track was entitled "Long Live the People", based on the slogan of the revolutionary youth (especially notable in the 20F’s manifestations) directed against the monarchist slogan: “long live the king”. The track topped the list of most-watched Moroccan videos on YouTube. This is unprecedented for an agitational song, as the top spot has typically been occupied by pop trifles.
Leonardo Da Vinci: artist, thinker and revolutionary Leonardo da Vinci died 500 years ago today in 1519. Da Vinci was an absolute giant in the history of human thought and culture. Alan Woods pays tribute to the great artist, scientist and philosopher, whose life and ideas were revolutionary in so many fields.
France: Notre Dame fire – capitalism destroying our historical heritage The fire that partly destroyed Notre Dame is a tragedy for anyone who cherishes the cultural, artistic and architectural achievements of humanity. Capitalism is undermining its own past achievements and those of previous societies, and this emerges very clearly when one takes a closer look at what happened in Paris on Monday 15 April.
Lies, damned lies and Netflix: the character assassination of Leon Trotsky Trotsky, a recent Netflix series produced by Russian state television, is a scandalous misrepresentation of both Trotsky’s life and the October Revolution. Alan Woods and Josh Holroyd respond to this insulting portrayal of Trotsky and the Bolsheviks’ legacy.